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The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
PDF Download The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the Entertainment Industry
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Review
"A great book...an indispensable resource for anyone who has ever considered writing for the entertainment industry."-- Elizabeth Daley, USC School of Cinema/Television
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About the Author
Brooke Wharton is a Hollywood entertainment and copyright lawyer whose clients include some of the industry's top names. She is a member of the faculty of USC's School of Cinema/Television, where she has created a program concerning the business of writing for the entertainment industry. She lectures frequently at California Institute of the Arts, Art Center College of Design, The Directors Guild of America and The National Society of Film Educators. She lives in Los Angeles, California.
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Product details
Paperback: 288 pages
Publisher: Harper Perennial (March 14, 1997)
Language: English
ISBN-10: 0062732366
ISBN-13: 978-0062732361
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
27 customer reviews
Amazon Best Sellers Rank:
#1,488,133 in Books (See Top 100 in Books)
This book (The Writer Got Screwed) has been around a while, but the information in it is as valuable today as it was the day it was written. It's an excellent primer for writers and others who want to learn their way around the entertainment industry guided by a real pro who knows her way around the legal and business world of Hollywood. It's very well-written and helpful. My copy has so many corners folded over from referencing parts I've re-read over and over, I'll need a back up copy soon. Highly recommended.
Great book! It helps you to discover a little bit of the tangled world of lawyers in the entertainment industry. I have read some stories about people who started their careers in this business and how they learned - the tough way - about how to negotiate a deal.
Good overview of entertainment law specifically tailored to screenwriting
This is a wonderful resource for screenwriters. Wharton demystifies the copywright/WGA registration issue, explains the legalities about writing true stories, offers great sample contracts, and clears up many of the questions writers are afraid to ask for fear of sounding ignorant. This book has been on my shelves for years, and I continue to refer and recommend it often. --Jenna Glatzer, jenna@absolutewrite.com
The book has had it's years and is still valuable educational for writers. I'm sure most of it has more tips and ideas in our days. It's a great start to find out what writers sometimes have to deal with in the entertainment industry.
yep
Dated - but a still great primer for screenwriters as to what to expect and look for in a contract. And believe me, that's ESSENTIAL in the biz!
I received the box as promised on time and with a wonderful note. Thank you!
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